The National Endowment for the Arts Was Signed Into Law by
National Endowment for the Arts Collection
1965-2016
five boxes seven.v linear anxiety
Call no.: MS 686
Established past Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than than $four billion to support artistic excellence, creativity, and innovation for the do good of individuals and communities. The NEA extends its piece of work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.
In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize publications on the arts and arts management since its inception. The collection reflects the touch on of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support private and classroom instruction, information on arts management, reports on the condition of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Cyberspace Archive, where they are available for full-text searching.
Background on the NEA
Established by Congress in 1965, the National Endowment for the Arts is an independent bureau of the federal government that seeks to promote the arts and contribute to the growth and development of American civilisation. Over its existence, the NEA has awarded more $4 billion to support creative excellence, inventiveness, and innovation for the benefit of individuals and communities. It extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.
In his history of the NEA, Mark Bauerlein noted that from its inception the NEA was intended "to nurture American inventiveness, to elevate the nation's culture, and to sustain and preserve the country'due south many artistic traditions." Unlike previous federal efforts to promote the arts such as the Depression-era Works Progress Assistants, it was neither a response to economical crisis nor aligned with any specific social or political agenda beyond bringing art to the people of our nation and nurturing our creative creativity.
The firsthand plans for the NEA were first proposed nether the administration of John F. Kennedy. In January 1963, a group of Democratic senators introduced SR165 "to constitute a U.S. National Arts Foundation," and in May, one month afterwards Baronial Hecksher published a seminal report on "The Arts and the National Regime," Hubert Humphrey introduced SR 1316 "to establish a National Council on the Arts and a National Arts Foundation to help the growth and development of the arts in the U.S." With bi-partisan support and Hecksher's vision in identify, the President'south Advisory Council on the Arts was established shortly thereafter.
Delayed by the assassination of the president, the arts agency took a significant step forrad on December 20, 1963, when the Senate passed SR 2379, effectively combining the two previous bills. Less than three weeks later, Rep. Frank Thompson of NJ introduced two bills into the Firm: HR 9586 "to provide for the establishment of a National Council on the Arts to assist in the growth and evolution of the arts in the U.Due south." and HR 9587 "to provide for the institution of a National Council on the Arts and a National Arts Foundation to assist in the growth and development of the arts in the The states." Hr 9586 passed in the House on Aug. 20, with the Senate agreeing on voice vote the next solar day, and the bull was signed into police by Pres. Johnson on Sept. three. When signed into law, the National Foundation on the Arts and the Humanities Act stated:
"While no government can call a great artist or scholar into being, it is necessary and appropriate for the Federal Government to aid create and sustain non merely a climate encouraging liberty of thought, imagination, and inquiry, but likewise the material weather condition facilitating the release of this artistic talent."
The impact of the NEA has been both substantial and sustained. By the yr 2000, the NEA reported that it had awarded over 110,000 grants to artists and arts organizations, fueling a ten-fold growth of state and local agencies, and an increase in the number of non-profit theatre companies from 56 in 1965 to 340; symphony orchestras from 980 to 1,800, and opera companies from 27 to 113.
Contents of Collection
In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA has authorized SCUA to digitize nearly forty years of publications on the arts and arts direction. The collection reflects the touch on of the arts (including music, literature, and the performing arts) on the everyday lives of Americans and include materials intended to support individual and classroom didactics, data on arts management, and reports on the status of the arts, along with several histories of the organization. The collection has been organized into 14 categories reflecting the programs and priorities of the NEA, and some titles cantankerous-listed.
All titles are catalogued in the UMass Amherst Libraries online catalog and are included in the Net Archive, where they are available for full-text searching. In tardily 2013, the files will exist made publicly available and preserved through UMass'due south online digital repository, Credo.
Provenance
Souvenir of the National Endowment for the Arts, 2012-2013.
Processing Information
Candy past I. Eliot Wentworth, Aug. 2013.
Bibliography
Cite as: National Endowment for the Arts Collection (MS 686). Special Collections and University Archives, UMass Amherst Libraries.
Source: http://scua.library.umass.edu/national-endowment-for-the-arts/
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